Tag Archives: Jake Gyllenhaal

Thursday, January 18, 2018

AMNewYork: Bette Midler’s ‘Hello, Dolly!’ the best show on the NYC stage last year

AMNewYork
Bette Midler’s ‘Hello, Dolly!’ the best show on the NYC stage this year
By Matt Windman amNewYork Theater Critic December 28, 2017

In many cases, 2017 showed New York theater at its very best — and in other cases, at its worst. Below is my personal list of highs and lows for the year.

Best of the year:

1. ‘Hello, Dolly!’

Was anyone surprised that this turned out to be a match made in musical comedy heaven? As led by Bette Midler, this lavish revival is a celebration of life crafted in old-fashioned showmanship and pure euphoria. Bernadette Peters will take over as Dolly after Midler exits the show next month. Read More

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Shop At The Official Bette Midler Store: Click Here

"Find your Light; They can't love you if they can't see you" ~ Bette Midler



* Access the monthly Bette Midler Jukebox: Click Here

This is a scrapbook site devoted to Bette Midler. Absolutely no profits are being made from the posting of this work. It is presented here for educational and historical reasons only. If, however, you are the owner of this work and would like it removed from this website, please contact me and I will comply as soon as I get the message. Thank you for your time and patience. No disrespect intended. Just a huge admirer and collector of all things Bette Midler. You can contact me at: misterd@bootlegbetty.com

 

Thursday, December 21, 2017

The Year When Bette Stormed Broadway, and Trump ‘Died’ in Central Park: NYC Theater in 2017

Daily Beast
The Year When Bette Stormed Broadway, and Trump ‘Died’ in Central Park: NYC Theater in 2017
TIM TEEMAN
12.19.17 5:00 AM ET

The best NYC theater of 2017 spanned Bette Midler in ‘Hello Dolly,’ Jake Gyllenhaal in Sondheim, and Tony Kushner telling The Daily Beast he was planning a play about Donald Trump.

It is rare for theater to make the news.

CBS may give one Sunday a year over to the Tony Awards (and here is what won what this year), but these celebrate the best of Broadway; theater made as safe and glittery as possible. Any edge is left to the winners’ speeches and hosts’ japing. Read More

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Shop At The Official Bette Midler Store: Click Here

"Find your Light; They can't love you if they can't see you" ~ Bette Midler



* Access the monthly Bette Midler Jukebox: Click Here

This is a scrapbook site devoted to Bette Midler. Absolutely no profits are being made from the posting of this work. It is presented here for educational and historical reasons only. If, however, you are the owner of this work and would like it removed from this website, please contact me and I will comply as soon as I get the message. Thank you for your time and patience. No disrespect intended. Just a huge admirer and collector of all things Bette Midler. You can contact me at: misterd@bootlegbetty.com

 

Wednesday, December 20, 2017

‘Come Far Away,’ ‘Groundhog Day,’ And ‘Hello, Dolly’ Lead Entertainment Weekly Top 10 Theater of 2017

EW
‘Come Far Away,’ ‘Groundhog Day,’ And ‘Hello,
Dolly’ Lead Entertainment Weekly Top 10 Theater of 2017
By Jacob Elyachar

Entertainment Weekly gave its regards to New York City’s Great White Way as the entertainment news magazine named its top 10 theater shows of 2017.

The Entertainment Weekly staff picked out some of the best musicals and plays that captivated Broadway audiences throughout the year.

Bette Midler’s ‘Hello, Dolly’ Wins Top Spot

Entertainment Weekly crowned Hello, Dolly, starring the legendary Bette Midler, as their number 1 musical of 2017. The Hocus Pocus actress took Broadway by storm this year as matchmaker Dolly Levi in the show’s latest revival.  The Tony-winning Midler earned rave reviews for her interpretation of the classic character and continued to entertain audiences despite reliving Geraldo Rivera’s sexual assault. Read More

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Shop At The Official Bette Midler Store: Click Here

"Find your Light; They can't love you if they can't see you" ~ Bette Midler



* Access the monthly Bette Midler Jukebox: Click Here

This is a scrapbook site devoted to Bette Midler. Absolutely no profits are being made from the posting of this work. It is presented here for educational and historical reasons only. If, however, you are the owner of this work and would like it removed from this website, please contact me and I will comply as soon as I get the message. Thank you for your time and patience. No disrespect intended. Just a huge admirer and collector of all things Bette Midler. You can contact me at: misterd@bootlegbetty.com

 

Tuesday, December 19, 2017

David Rooney: The Best New York Theater of 2017

The Hollywood Reporter
David Rooney: The Best New York Theater of 2017
12/13/2017 by David Rooney

Jitney

Joan Marcus

Every major production of an August Wilson work is a stinging reminder of the loss of one of American drama’s most uniquely resonant voices. But this belated Broadway debut of the play that launched his magnificent 10-part chronicle of African-American experience in the 20th century — directed by Ruben Santiago-Hudson with penetrating emotional depth and irrepressible humor — was something extraordinary. Gritty and lyrical, joyful and sorrowful, the play examines black struggle through the prism of a Pittsburgh gypsy-cab company in 1977, its denizens portrayed here by a peerless ensemble that found music in every note. Read More

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Shop At The Official Bette Midler Store: Click Here

"Find your Light; They can't love you if they can't see you" ~ Bette Midler



* Access the monthly Bette Midler Jukebox: Click Here

This is a scrapbook site devoted to Bette Midler. Absolutely no profits are being made from the posting of this work. It is presented here for educational and historical reasons only. If, however, you are the owner of this work and would like it removed from this website, please contact me and I will comply as soon as I get the message. Thank you for your time and patience. No disrespect intended. Just a huge admirer and collector of all things Bette Midler. You can contact me at: misterd@bootlegbetty.com

 

Friday, December 8, 2017

Broadway in 2017: box office records broken under the shadow of Trump

The Guardian
Broadway in 2017: box office records broken under the shadow of Trump
Alexis Soloski
Thursday 7 December 2017 07.00 EST

In 2017, Broadway broke record after box office record. But inside the theaters the faces were long and so were the running times. Though rich in new American plays and gussied up revivals, Broadway this year often felt like a letdown, taking fewer risks and reaping fewer rewards. The Laura of Sam Gold’s deconstructed The Glass Menagerie wouldn’t blow out her candles, yet elsewhere the lights seemed dimmer, the costumes less spangled, the orchestra mildly depressed. Blame these blues on the presidential election? Tempting. But most projects secured funding before last November. Read More

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Shop At The Official Bette Midler Store: Click Here

"Find your Light; They can't love you if they can't see you" ~ Bette Midler



* Access the monthly Bette Midler Jukebox: Click Here

This is a scrapbook site devoted to Bette Midler. Absolutely no profits are being made from the posting of this work. It is presented here for educational and historical reasons only. If, however, you are the owner of this work and would like it removed from this website, please contact me and I will comply as soon as I get the message. Thank you for your time and patience. No disrespect intended. Just a huge admirer and collector of all things Bette Midler. You can contact me at: misterd@bootlegbetty.com

 

Thursday, December 7, 2017

The Top 10 Plays and Musicals of 2017

New York Times
The Top 10 Plays and Musicals of 2017
By EBEN SHAPIRO
December 6, 2017

The stupefying boredom of forgotten hamlet in the Israeli desert, where the residents are jolted out of their trance-like existence by a visiting band of Egyptian musicians. The inhabitants of a remote rocky island off the coast of Canada warmly embrace the passengers of 38 jets stranded there in the wake of 9/11. A working class bar in a failing factory town is the backdrop for a shocking act of violence and an equally dramatic reconciliation. In this most polarized of years, a number of the best productions celebrate man’s shared humanity and the possibility of even the most entrenched enemies finding common ground and a path forward. Read More

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Shop At The Official Bette Midler Store: Click Here

"Find your Light; They can't love you if they can't see you" ~ Bette Midler



* Access the monthly Bette Midler Jukebox: Click Here

This is a scrapbook site devoted to Bette Midler. Absolutely no profits are being made from the posting of this work. It is presented here for educational and historical reasons only. If, however, you are the owner of this work and would like it removed from this website, please contact me and I will comply as soon as I get the message. Thank you for your time and patience. No disrespect intended. Just a huge admirer and collector of all things Bette Midler. You can contact me at: misterd@bootlegbetty.com

 

Wednesday, May 10, 2017

Vote Today: Dear Evan Hansen, Stephanie J. Block, Christian Borle, Laura Dreyfuss, Bette Midler Lead Broadway.com Audience Choice Awards

Times Square Chronicles
Dear Evan Hansen, Stephanie J. Block, Christian Borle, Laura Dreyfuss, Bette Midler Lead Broadway.com Audience Choice Awards
By SUZANNA BOWLING
MAY 9, 2017

2017-03-19_7-55-15

Nominations in 22 competitive categories for the Broadway.com Audience Choice Awards were announced today by actress Cobie Smulders on the hit Broadway.com daily series “Live at Five.” The nominees were selected by fans who voted for all eligible candidates in a comprehensive Broadway.com survey. Nominated candidates will have the opportunity to be voted for online by fans celebrating the “People’s Choice Awards” for Broadway. Read More

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Shop At The Official Bette Midler Store: Click Here

"Find your Light; They can't love you if they can't see you" ~ Bette Midler



* Access the monthly Bette Midler Jukebox: Click Here

This is a scrapbook site devoted to Bette Midler. Absolutely no profits are being made from the posting of this work. It is presented here for educational and historical reasons only. If, however, you are the owner of this work and would like it removed from this website, please contact me and I will comply as soon as I get the message. Thank you for your time and patience. No disrespect intended. Just a huge admirer and collector of all things Bette Midler. You can contact me at: misterd@bootlegbetty.com