Friday, September 3, 2010

Searching For “Bette Midler Sings The Rose at Peace Sunday 1982″

Mister D:

Darrell from Bette On The Boards is looking for anybody who may have saved it, or anybody who has an actual VHS or DVD of the show where Bette Midler Sings The Rose at Peace Sunday in 1982 . It was up on You Tube, but has now been taken down. Darrell will reward somebody with a treat if they have a copy of it. He only wants Bette‘s segment if they have the whole show, and the final two songs that everybody participated in (Teach Your Children / Give Peace A Chance).

You can contact Darrell at: betteontheboards@gmail.com

He also has a great new Boob Tube section up that you will thoroughly enjoy on the opening page as well. Thanks for any help you can give.

Love, Mister D!!!!

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Photo: Rain Today

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Video: Or Not To Be…TV Series


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BetteBack: Bette Midler gets a second wind beneath her wings

Bette Midler gets a second wind beneath her wings.
Article from: Knight Ridder/Tribune News Service
Article date: January 9, 2001 Author: Bark, Ed

CULVER CITY, Calif. _ She told Jay Leno that the workload was killing her. David Letterman got the same earful, but at an even higher pitch, fueling the perception that “Bette” soon would collapse from the sheer weight of the star’s well-publicized weariness.

Now Bette Midler feels that all concerned have “gotten to the point where we understand how much I can do and how much I cannot do.” So onward in the face of so-so Nielsen ratings on Wednesday nights and an uncertain future for “Bette” beyond the nine episodes left to shoot this season.

“I have no idea” if the show will return next fall, Midler said Monday while seated next to the kitchen counter on the set of “Bette.” “I really like the idea of having success in a medium that I’ve worked so hard to get my arms around. It’s a great challenge. I’d like to come back. I certainly wouldn’t go down without a fight.”

Midler took home a People’s Choice Award on Sunday night as the favorite female performer in a new TV series. “I haven’t stopped whining for a second,” she said in her acceptance remarks. “But I’m having a great time now.”

The whining reached epic proportions on a recent “Late Show With David Letterman.” She called CBS president Leslie Moonves the next day to both apologize and assure her boss that it was Letterman, not she, who again called him a “pinhead.”

“You know, David Letterman, he’s a crafty little guy,” Midler said. “He saw that I was vulnerable and he took me right by my nose and led me down the garden path. But it was good TV.”

She at least is in better shape than Michael Richards and John Goodman, whose star-driven sitcoms already have been canceled after heavily promoted fall start-ups on NBC and Fox. Midler said she now realizes that “Bette” was too squarely on her shoulders. “It was like doing a little Broadway show every week. I had no idea it was going to be that hard The first four or five episodes I was sick to my stomach. It was absolutely horrifying.”

Future episodes will have a bigger ensemble and less of her. “We need more and funnier characters,” she said. “And I think that’s what we’re going to go for.”

“Bette” also will cut dance production numbers, temper the star’s singing, make the shows smaller in scope and be realistic about landing big-name guest stars because “there’s no (bleeping) way Mel Gibson is going to do this show.” At least that’s the plan.

“The workload has lightened up considerably,” Midler said. “So the wonderful thing about life is that sometimes you eat the bear, sometimes you barely eat, and then you eat the bear again.”

There remains the matter of finding a replacement for her TV hubby, Roy, played in the first half of the season by veteran actor Kevin Dunn. He quit because “he was very unhappy with the material he was being given,” Midler said. Now she’s “very timid about getting involved with an actor I’m not sure of.”

The obvious precedent is “Bewitched,” in which Dick York quit as husband Darrin Stephens and was seamlessly replaced by Dick Sargent.

“That’s on everyone’s lips,” Midler said. “Darrin, Darrin, Dick, Dick. I don’t get it at all. I personally feel that every week you should have a different Roy. Maybe you could have a contest _ the longest-running Roy.”

She named Fred Willard, Martin Short and Chris Rock as possibly rotating Roys, an idea that received a thumbs up from most of the TV critics in attendance. By interview’s end, Midler seemed to be half-seriously considering the idea. Well, maybe not.

Her “overarching desire,” whatever turn “Bette” takes, “is to really make people laugh the way they haven’t laughed in years. I don’t like mild TV The true test of a comedian is to make you laugh until you cry. To me that’s great art.”

No one did this better than the late Lucille Ball, she said. “I knew her. I adored her. I don’t have half the skills that she had. For my money, that’s the standard. The bar for great, intelligent comedy has always been Lucy.”

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Thursday, September 2, 2010

Chas Sanford (“Divine Madness”) Releases Excellent New CD, “Wag More Bark Less”

Chas Sanford who was Miss M’s lead guitarist in Divine Madness on Broadway and in the movie version has just put out an excellent new CD entitled, Wag More, Bark Later. He was also Bette’s boyfriend at one point. You might remember some pix of him escorting her to the Golden Globes, looking so cute. I’m sure I’ve posted a photo or two somewhere.

I ran into him not long ago here in Nashville where he resides now. He’s a very nice guy…very down to earth. He said the last time he heard from Bette Midler was during the KMB tour when they talked about writing together. I don’t think they ever did. She’s a busy gal. But he has stayed busy as a songwriter for years, writing such mega-hits as “Talk To Me” for Stevie Nicks, “Missing You” for John Waite, and Chicago’s “What Kind Of Man Would I Be.” His songs have also been recorded by Tina Turner, Rod Stewart, Melanie, Roger Daltrey, Berlin, Millie Jackson, Brooks & Dunn, Alison Krauss, Rick Springfield, Sammy Hagar, Jimmy Barnes, Don Johnson, and many more.

Currently you can get his CD on iTunes. Later you should be able to get it on Amazon, CD Baby, and in other markets. You won’t be sorry. Go ahead and listen to the samples on iTunes. Awesome!

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What Other Blogs Do You Read? Want Your Input!

Mister D:

Hey guys and gals! I’m trying to update the blogroll for Bootleg Betty and was wondering what some of you would suggest would be good additions? What other sites do you visit that interest you? They don’t have to be Bette sites…I think I have those covered, but they might be entertainment oriented? Or maybe some of you like a break from that and would like to see some well rounded sites on here or more niche-oriented site. Give me some feedback in the comments section or write me at dtb@donbradshaw.com

Love, Mister D

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Photo: That Smile

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Video: I Love This Game – TV Series


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BetteBack: Behind The Music

Bubbly Bette Midler‘s career born in a bathhouse
Article from:Chicago Sun-Times Article date:October 29, 2000 Author: CRAIG TOMASHOFF

It seems only fitting that Bette Midler’s career was launched in a bathhouse. After all, both can be pretty steamy. Both require a willingness to let it all hang out, so to speak. And both can run hot and cold.

These days, after a cold spell, Midler is heating up once again with her first TV sitcom, CBS’ “Bette.” Her character is loud, lewd and an eager overachiever. In other words, the show is pretty much autobiographical.

“I got on the path that would lead me to be what I want to be, and I never got off that path,” she says, describing her life and career on VH1′s “Behind the Music.” “I did have that ambition that really practically ate me up alive, that teeth-gnashing thing to get ahead and to be all those things that I had dreamed of being.”

The dreaming began in Honolulu in 1945. Midler was one of four children reared by her father, a civilian painter for the Navy, and her mother. Being a Jewish girl in a Polynesian world, she tried hard to fit in and ended up singing and acting her way through school. Then, at age 20, she decided to move to a new island: Manhattan.

She quickly went from being a go-go dancer to landing a major role in a Broadway production of “Fiddler on the Roof,” but just when things were starting to look up for the young entertainer, her world crumbled when one of her sisters came to New York to see the play and was killed by a speeding taxi. For the next year, Midler tried to escape the tragedy by leaving “Fiddler” behind, but she was unable to find another acting role. So, rather than wait for something to change her life, she took her life into her own hands and started singing at the Continental Baths in Manhattan.

The 23-year-old began performing for an audience of gay men. “They were the most fabulous audience I’d ever met,” Midler says. “I mean, they were on something. It was all a big, vast experiment for this creature that I was creating.”

The beast was the Divine Miss M, her outrageous, show-stopping alter ego. An appearance on “The Tonight Show With Johnny Carson” brought her a flood of new fans and a deal with Atlantic Records. Her first album, “The Divine Miss M,” was released in 1972 and included her first hit single, a cover of “Boogie Woogie Bugle Boy.” She partnered with a manager, Aaron Russo, and soon Midler was a cover girl for magazines such as Rolling Stone and Newsweek.

Meanwhile, her relationship with Russo grew tense as she felt he pushed her harder and harder to succeed. Despite their problems, he landed her the starring role in the film that would prove to be her big acting break, “The Rose” (1979). The story of a self-destructive singer having trouble connecting to her emotionally distant father had many parallels to Midler’s own life-”I related a lot. It was terribly real”-and garnered her awards for both her singing and her acting.

The success came too late to save her relationship with Russo, but another man soon entered her life. She met and married Martin Von Haselberg, perhaps the world’s only commodities broker-performance artist. He was instrumental in reviving Midler’s film career, which had nearly expired when she followed “The Rose” with the appropriately titled “Jinxed” (1982). Von Haselburg suggested that she take a supporting role in the 1986 film “Down and Out in Beverly Hills,” a move that put her back on top at age 40.

From films such as “Beaches” (1989) to songs like “Wind Beneath My Wings,” Midler had re-established herself as one of the country’s most versatile entertainers. Her return to the stage in in the HBO special “Diva Las Vegas” also proved that you could take the star out of the raunch, but you couldn’t take the raunch out of the star. And now, with her self-titled CBS sitcom on her resume, the “darling of the bathhouse” has become the Queen of All Media.

“What I chose or what happened to me made me a better human being,” she explains.

The Bette Midler episode of “Behind the Music” airs at 11 a.m. Nov. 8.

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Wednesday, September 1, 2010

L.A. “We Are Plastic Ono Band” Will Not Include Bette Midler – New Line-Up

Lady Gaga to rock with Plastic Ono Band
Singer, Iggy Pop to perform with Yoko Ono in L.A. in October
By Jason Lipshutz, Billboard
Sept 1, 2010, 03:18 PM ET

Following her celebrity-filled “We Are Plastic Ono Band” concert at the Brooklyn Academy of Music earlier this year, Yoko Ono has announced the special guests — including Lady Gaga — to be featured at her performances at Los Angeles‘ Orpheum Theater on Oct. 1-2.

Along with Gaga, who will share the stage with Plastic Ono Band on Oct. 2, Iggy Pop, the RZA, Perry Farrell and Sonic Youth’s Kim Gordon and Thurston Moore will all contribute to the showcase’s two-night run.

Other guests for the Los Angeles shows include Carrie Fisher, Vincent Gallo, Haruomi Hosono, Harper Simon, Tune-Yards, Nels Cline and Mike Watt. Plastic Ono Band, which will play under the musical direction of Ono’s son Sean Lennon, previously welcomed Eric Clapton, Bette Midler, and Paul Simon as guests during Plastic Ono Band’s Brooklyn revival last February.

A week after the Los Angeles performances, Ono will celebrate what would have been John Lennon‘s 70th birthday with a series of peace-promoting events and a Plastic Ono Band concert in Iceland on Oct. 9.

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Video: Bette On “Sunrise On 7″

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Photo: Ghosts

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The Anatomy Of A Press Release: Yes, Mister D, They Can Be Bogus!

Mister D:

With all this “Sweet Baby Jesus” nonsense floating about with Bette’s name attached to it and not being able to get a confirmation about it….(well, that’s not true…I keep being told there is no truth to it), I asked my friend Bruce Vilanch to weigh in on press releases for me because they seemed so unethical, so unfair. This is what I learned.

1. Anybody can announce anything. They do it to drum up interest in a project, product, etc. to get themselves on the map so to speak.

2. No one’s going to take the time, energy or expense to sue. Usually it’s not worth it unless it becomes annoying, embarrassing, etc. Then a lawyer may get involved and issue a denial or some type of warning.

3. On the flip side, the person being talked about in the press release is getting free publicity. They are being talked about being attached to a movie, a product, or some type of project. What’s that old saying? Any publicity is good publicity!

4. The real victim…the truth. And I will add, the poor fans that get their hopes up every time one of these crappy fake press releases come out. That’s why I’m glad for now I’m in a position where I can find out the truth. Knock on wood.

Anyway, thanks to Bruce for clearing all that up for me. And here’s hoping he didn’t mind me sharing the information.

Love, Mister D

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Ch-Ch-Ch-Changes – Turn And Face The Strange!

Mister D:

I guess some of you have noticed there are some changes going on with BLB and you would be correct. They are not major, but definitely worth mentioning since there will be experimentation taking place.

The right hand bar will be going through some this and that kind of experiment to see what works and what doesn’t. It might help if we get some feedback when you see something different. I’m not patient and if I don’t like something and I don’t hear anything about it then I’m likely to rip it down awfully fast. I know I want a comments section and I want the little chat section to stay. However, I’m not pleased with the comments widget I have…I want to see the comments. Some of the other stuff may be coming down to be replaced with other things or experimented with, so just bear with me please and if you feel like it give constructive feedback. I don’t know if I can do what you want, but it won’t hurt to ask.

You’ll notice the events bar at the top is gone, and some headings are starting to take it’s place. I miss the events bar and not sure how to replace that, so we’ll see what happens there. I may have to make a page and then a heading for it to make it work.

Anyway, I just wanted to warn you. I know some people hate change, but change can be good and exciting. This place has been around for almost 10 years now and it needs a lift every now and then, so I hope this is a good thing. We aren’t going to make it too drastic and it should be easier for you to use in the long run.

Thank you!

Love, Mister D

PS: The musical guest for Hulaween has been almost confirned, but not quite yet, so nothing can be stated as of now. Also I should know something by the end of the week concerning the birthday fundraiser for NYRP.

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Video: Two Days At A Time – The Oprah Episode


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